secret places
secret places by ashar

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Ashar’s tetraptych Secret Places unfolds as a vertical sequence of quiet revelations—four minimalist panels that together form a contemplative journey through abstraction, memory, and spatial resonance. Each painting speaks in its own visual language, yet they are bound by a shared palette of muted beige, gray, and pale green, punctuated by subtle red and black accents that act like whispers or signals.
Together, these four pieces form a visual poem—each stanza sparse, deliberate, and open to interpretation. Secret Places is not a map, but a meditation: a layered invitation to enter spaces that are internal, liminal, and quietly charged with meaning.

“If you stay here, you become lost. And no one can find you.
I like lost.” - Ally Condie

they can be seen at Nadia Waterfield Fine Art

tetraptych, each piece is 20cmx15x5cm
oil on wooden panels.

I use oil pastels, oil sticks, markers, scrapers, charcoal, pigment sticks, newspaper, and graphite to make marks, whichever fits the moment

UV protected, signed on the back. The work is on a plywood panel and is ready to hang. No further framing is needed

Ref: 19/11

secret places by ashar

Ashar’s tetraptych Secret Places unfolds as a vertical sequence of quiet revelations—four minimalist panels that together form a contemplative journey through abstraction, memory, and spatial resonance. Each painting speaks in its own visual language, yet they are bound by a shared palette of muted beige, gray, and pale green, punctuated by subtle red and black accents that act like whispers or signals.
Together, these four pieces form a visual poem—each stanza sparse, deliberate, and open to interpretation. Secret Places is not a map, but a meditation: a layered invitation to enter spaces that are internal, liminal, and quietly charged with meaning.

“If you stay here, you become lost. And no one can find you.
I like lost.” - Ally Condie

they can be seen at Nadia Waterfield Fine Art

tetraptych, each piece is 20cmx15x5cm
oil on wooden panels.

I use oil pastels, oil sticks, markers, scrapers, charcoal, pigment sticks, newspaper, and graphite to make marks, whichever fits the moment

UV protected, signed on the back. The work is on a plywood panel and is ready to hang. No further framing is needed

Ref: 19/11