oil on a wooden panel 26x30cm
Re-enter is a meditation on emergence—subtle yet charged. A central burst of colour—yellow, red, green, deep blue—fractures outward across a muted field, its jagged lines radiating like energy released or memory resurfacing. The composition is minimal, but the motion is unmistakable: something has broken through, returned, insisted on being seen.
This piece speaks to the moment just after impact, when stillness gives way to movement. The radiating lines suggest neural sparks, seismic shifts, or emotional reverberations. It’s a painting about transition—about the act of coming back, not quietly, but with force and clarity.
For collectors, Re-enter offers a compelling balance of restraint and dynamism. It’s a work that rewards contemplation, inviting viewers to consider what it means to reappear, to reconnect, to reclaim space. A striking addition to any collection that values abstraction with emotional depth and conceptual precision

I use oil pastels, oil sticks, markers, scrapers, charcoal, pigment sticks, newspaper, and graphite to make marks, whichever fits the moment.
UV protected, signed on the back. The work is on a plywood panel and is ready to hang. No further framing is needed.

Ref: 24/16

re-enter by ashar

oil on a wooden panel 26x30cm
Re-enter is a meditation on emergence—subtle yet charged. A central burst of colour—yellow, red, green, deep blue—fractures outward across a muted field, its jagged lines radiating like energy released or memory resurfacing. The composition is minimal, but the motion is unmistakable: something has broken through, returned, insisted on being seen.
This piece speaks to the moment just after impact, when stillness gives way to movement. The radiating lines suggest neural sparks, seismic shifts, or emotional reverberations. It’s a painting about transition—about the act of coming back, not quietly, but with force and clarity.
For collectors, Re-enter offers a compelling balance of restraint and dynamism. It’s a work that rewards contemplation, inviting viewers to consider what it means to reappear, to reconnect, to reclaim space. A striking addition to any collection that values abstraction with emotional depth and conceptual precision

I use oil pastels, oil sticks, markers, scrapers, charcoal, pigment sticks, newspaper, and graphite to make marks, whichever fits the moment.
UV protected, signed on the back. The work is on a plywood panel and is ready to hang. No further framing is needed.

Ref: 24/16