Myth and Moor and More!
waters meet
“Abstract composition in layered blue tones, shifting from deep indigo to pale sky blue, with branching white and yellow lines resembling converging currents or energy across a tranquil atmospheric field.”by ashar

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Oil on a wooden panel, 92x92cm.
In Waters Meet, currents converge in a hush of blue—deep indigo folding into sky-washed pale, like the meeting of two rivers beneath a veil of mist. Delicate, branching lines in white and yellow arc across the canvas like lightning or the nervous system of the land, tracing unseen energies where the East and West Dart entwine. The composition holds a quiet tension: movement within stillness, clarity within mystery. This is Dartmoor as confluence—of water, light, and memory—where boundaries dissolve, and something elemental is exchanged.

I use oil pastels, oil sticks, markers, scrapers, charcoal, pigment sticks, newspaper, and graphite to make marks,s whichever fits the moment
UV protected, signed on the back. The work is on a plywood panel and is ready to hang. No further framing is needed

Ref: 21/08

“Abstract composition in layered blue tones, shifting from deep indigo to pale sky blue, with branching white and yellow lines resembling converging currents or energy across a tranquil atmospheric field.”by ashar

Oil on a wooden panel, 92x92cm.
In Waters Meet, currents converge in a hush of blue—deep indigo folding into sky-washed pale, like the meeting of two rivers beneath a veil of mist. Delicate, branching lines in white and yellow arc across the canvas like lightning or the nervous system of the land, tracing unseen energies where the East and West Dart entwine. The composition holds a quiet tension: movement within stillness, clarity within mystery. This is Dartmoor as confluence—of water, light, and memory—where boundaries dissolve, and something elemental is exchanged.

I use oil pastels, oil sticks, markers, scrapers, charcoal, pigment sticks, newspaper, and graphite to make marks,s whichever fits the moment
UV protected, signed on the back. The work is on a plywood panel and is ready to hang. No further framing is needed

Ref: 21/08