which way up is down
Abstract painting with soft blended tones of pale blue, yellow, and white, overlaid with scattered dark linear marks and scribbles that create a drifting, disorienting sense of shifting direction.

oil on a wooden panel 24" x 24".

From the Letting Go series, Which Way Up Is Down explores the disorientation and quiet release that comes with surrender. Layers of pale blue, yellow, and white drift across the canvas, interrupted by fleeting marks and half-legible symbols that suggest thought fragments or emotional residue. The composition resists fixed orientation—lines tilt, colors bleed, and meaning slips—inviting the viewer to relinquish control and dwell in ambiguity. This painting is a meditation on inversion and acceptance, where clarity emerges not from resolution, but from the act of letting go.

I use oil pastels, oil sticks, markers, scrapers, charcoal, pigment sticks, newspaper, and graphite to make marks, whichever fits the moment
UV protected, signed on the back. The work is on a plywood panel and is ready to hang. No further framing is needed

Ref: 17/07

Abstract painting with soft blended tones of pale blue, yellow, and white, overlaid with scattered dark linear marks and scribbles that create a drifting, disorienting sense of shifting direction.

oil on a wooden panel 24" x 24".

From the Letting Go series, Which Way Up Is Down explores the disorientation and quiet release that comes with surrender. Layers of pale blue, yellow, and white drift across the canvas, interrupted by fleeting marks and half-legible symbols that suggest thought fragments or emotional residue. The composition resists fixed orientation—lines tilt, colors bleed, and meaning slips—inviting the viewer to relinquish control and dwell in ambiguity. This painting is a meditation on inversion and acceptance, where clarity emerges not from resolution, but from the act of letting go.

I use oil pastels, oil sticks, markers, scrapers, charcoal, pigment sticks, newspaper, and graphite to make marks, whichever fits the moment
UV protected, signed on the back. The work is on a plywood panel and is ready to hang. No further framing is needed

Ref: 17/07